diff --git a/00-HTML-CSS-basics/CSS_1/css/normalize.css b/00-HTML-CSS-basics/CSS_1/css/normalize.css new file mode 100644 index 000000000..3d6624cd1 --- /dev/null +++ b/00-HTML-CSS-basics/CSS_1/css/normalize.css @@ -0,0 +1,341 @@ +/*! normalize.css v8.0.0 | MIT License | github.com/necolas/normalize.css */ + +/* Document + ========================================================================== */ + +/** + * 1. Correct the line height in all browsers. + * 2. Prevent adjustments of font size after orientation changes in iOS. + */ + +html { + line-height: 1.15; /* 1 */ + -webkit-text-size-adjust: 100%; /* 2 */ +} + +/* Sections + ========================================================================== */ + +/** + * Remove the margin in all browsers. + */ + +body { + margin: 0; +} + +/** + * Correct the font size and margin on `h1` elements within `section` and + * `article` contexts in Chrome, Firefox, and Safari. + */ + +h1 { + font-size: 2em; + margin: 0.67em 0; +} + +/* Grouping content + ========================================================================== */ + +/** + * 1. Add the correct box sizing in Firefox. + * 2. Show the overflow in Edge and IE. + */ + +hr { + box-sizing: content-box; /* 1 */ + height: 0; /* 1 */ + overflow: visible; /* 2 */ +} + +/** + * 1. Correct the inheritance and scaling of font size in all browsers. + * 2. Correct the odd `em` font sizing in all browsers. + */ + +pre { + font-family: monospace, monospace; /* 1 */ + font-size: 1em; /* 2 */ +} + +/* Text-level semantics + ========================================================================== */ + +/** + * Remove the gray background on active links in IE 10. + */ + +a { + background-color: transparent; +} + +/** + * 1. Remove the bottom border in Chrome 57- + * 2. Add the correct text decoration in Chrome, Edge, IE, Opera, and Safari. + */ + +abbr[title] { + border-bottom: none; /* 1 */ + text-decoration: underline; /* 2 */ + text-decoration: underline dotted; /* 2 */ +} + +/** + * Add the correct font weight in Chrome, Edge, and Safari. + */ + +b, +strong { + font-weight: bolder; +} + +/** + * 1. Correct the inheritance and scaling of font size in all browsers. + * 2. Correct the odd `em` font sizing in all browsers. + */ + +code, +kbd, +samp { + font-family: monospace, monospace; /* 1 */ + font-size: 1em; /* 2 */ +} + +/** + * Add the correct font size in all browsers. + */ + +small { + font-size: 80%; +} + +/** + * Prevent `sub` and `sup` elements from affecting the line height in + * all browsers. + */ + +sub, +sup { + font-size: 75%; + line-height: 0; + position: relative; + vertical-align: baseline; +} + +sub { + bottom: -0.25em; +} + +sup { + top: -0.5em; +} + +/* Embedded content + ========================================================================== */ + +/** + * Remove the border on images inside links in IE 10. + */ + +img { + border-style: none; +} + +/* Forms + ========================================================================== */ + +/** + * 1. Change the font styles in all browsers. + * 2. Remove the margin in Firefox and Safari. + */ + +button, +input, +optgroup, +select, +textarea { + font-family: inherit; /* 1 */ + font-size: 100%; /* 1 */ + line-height: 1.15; /* 1 */ + margin: 0; /* 2 */ +} + +/** + * Show the overflow in IE. + * 1. Show the overflow in Edge. + */ + +button, +input { /* 1 */ + overflow: visible; +} + +/** + * Remove the inheritance of text transform in Edge, Firefox, and IE. + * 1. Remove the inheritance of text transform in Firefox. + */ + +button, +select { /* 1 */ + text-transform: none; +} + +/** + * Correct the inability to style clickable types in iOS and Safari. + */ + +button, +[type="button"], +[type="reset"], +[type="submit"] { + -webkit-appearance: button; +} + +/** + * Remove the inner border and padding in Firefox. + */ + +button::-moz-focus-inner, +[type="button"]::-moz-focus-inner, +[type="reset"]::-moz-focus-inner, +[type="submit"]::-moz-focus-inner { + border-style: none; + padding: 0; +} + +/** + * Restore the focus styles unset by the previous rule. + */ + +button:-moz-focusring, +[type="button"]:-moz-focusring, +[type="reset"]:-moz-focusring, +[type="submit"]:-moz-focusring { + outline: 1px dotted ButtonText; +} + +/** + * Correct the padding in Firefox. + */ + +fieldset { + padding: 0.35em 0.75em 0.625em; +} + +/** + * 1. Correct the text wrapping in Edge and IE. + * 2. Correct the color inheritance from `fieldset` elements in IE. + * 3. Remove the padding so developers are not caught out when they zero out + * `fieldset` elements in all browsers. + */ + +legend { + box-sizing: border-box; /* 1 */ + color: inherit; /* 2 */ + display: table; /* 1 */ + max-width: 100%; /* 1 */ + padding: 0; /* 3 */ + white-space: normal; /* 1 */ +} + +/** + * Add the correct vertical alignment in Chrome, Firefox, and Opera. + */ + +progress { + vertical-align: baseline; +} + +/** + * Remove the default vertical scrollbar in IE 10+. + */ + +textarea { + overflow: auto; +} + +/** + * 1. Add the correct box sizing in IE 10. + * 2. Remove the padding in IE 10. + */ + +[type="checkbox"], +[type="radio"] { + box-sizing: border-box; /* 1 */ + padding: 0; /* 2 */ +} + +/** + * Correct the cursor style of increment and decrement buttons in Chrome. + */ + +[type="number"]::-webkit-inner-spin-button, +[type="number"]::-webkit-outer-spin-button { + height: auto; +} + +/** + * 1. Correct the odd appearance in Chrome and Safari. + * 2. Correct the outline style in Safari. + */ + +[type="search"] { + -webkit-appearance: textfield; /* 1 */ + outline-offset: -2px; /* 2 */ +} + +/** + * Remove the inner padding in Chrome and Safari on macOS. + */ + +[type="search"]::-webkit-search-decoration { + -webkit-appearance: none; +} + +/** + * 1. Correct the inability to style clickable types in iOS and Safari. + * 2. Change font properties to `inherit` in Safari. + */ + +::-webkit-file-upload-button { + -webkit-appearance: button; /* 1 */ + font: inherit; /* 2 */ +} + +/* Interactive + ========================================================================== */ + +/* + * Add the correct display in Edge, IE 10+, and Firefox. + */ + +details { + display: block; +} + +/* + * Add the correct display in all browsers. + */ + +summary { + display: list-item; +} + +/* Misc + ========================================================================== */ + +/** + * Add the correct display in IE 10+. + */ + +template { + display: none; +} + +/** + * Add the correct display in IE 10. + */ + +[hidden] { + display: none; +} \ No newline at end of file diff --git a/00-HTML-CSS-basics/CSS_1/css/style.css b/00-HTML-CSS-basics/CSS_1/css/style.css new file mode 100644 index 000000000..20489a014 --- /dev/null +++ b/00-HTML-CSS-basics/CSS_1/css/style.css @@ -0,0 +1,89 @@ +html, body{ + margin: 0; + height: 100%; +} + +html { + box-sizing: border-box; +} +*, *::before, *::after { + box-sizing: inherit; +} + +*{ + font-size: 14px; + font-family: Verdana; + font-weight: bold !important; /* answer 6*/ +} +header{ + background-color: red; + text-align: center; +} +footer{ + background-color: blue; + text-align: center; +} +aside{ + background-color: yellow; +} +nav{ + background-color: green; +} +section{ + background-color: orange; +} + +.header{ + font-size: 46px; + display: block; + height: 10%; + +} +.footer{ + font-size: 10px; + display: block; + width: 100%; + min-height: 5%; +} +.content{ + font-size: 14px; + width: 50%; + min-height: 85%; + float: left; + padding: 2%; + position: relative; +} +.navigation{ + font-size: 12px; + width: 20%; + min-height: 85%; + display: inline-block; + float:left; +} +.sidebar{ + font-size: 10px; + width: 30%; + min-height: 85%; + float:right; +} +.clear{ + clear: both; +} + +[class$="r"]{ + background-color: magenta; +} + +[class*="a"]:not([class$="r"]){ + background-color: blue; +} + +@media screen and (max-width: 600px) { + .navigation, .sidebar { + width: 100%; + min-height: 5%; + } + .content{ + width: 100%; + } +} \ No newline at end of file diff --git a/00-HTML-CSS-basics/CSS_1/index.html b/00-HTML-CSS-basics/CSS_1/index.html new file mode 100644 index 000000000..ba65f3d06 --- /dev/null +++ b/00-HTML-CSS-basics/CSS_1/index.html @@ -0,0 +1,92 @@ + + +
+ + +
+
+
+
+
+
+
+ | Expense | +Cost | +
|---|---|
| Supermarket | +$800 | +
| Bus | +$300 | +
| Other | +$400 | +
+
+ + Léon: The Professional, titled Leon in the UK (and originally titled The Professional in the US and Australia), is a 1994 English-language French thriller film written and directed by Luc Besson. It stars Jean Reno and Gary Oldman, and features the motion picture debut of Natalie Portman. In the film, Léon (Reno), a professional hitman, reluctantly takes in 12-year-old Mathilda (Portman), after her family is murdered by corrupt Drug Enforcement Administration agent Norman Stansfield (Oldman). Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the hitman's trade. +
+
+ Léon Montana (Jean Reno) is an Italian hitman (or "cleaner", as he refers to himself) living a solitary life in New York City's Little Italy. His work comes from a mafioso named Tony (Danny Aiello). Léon spends his idle time engaging in calisthenics, nurturing a houseplant, and watching old films.
+ +One day, Léon meets Mathilda Lando (Natalie Portman), a lonely 12-year-old girl. Mathilda lives with her dysfunctional family in an apartment down the hall, and has stopped attending class at her school for troubled girls. Mathilda's abusive father (Michael Badalucco) attracts the ire of corrupt DEA agents, who have been paying him to stash cocaine in his apartment. After they discover he has been cutting the cocaine to keep for himself, DEA agents storm the building, led by sharply dressed drug addict Norman Stansfield (Gary Oldman). During the raid, Stansfield quickly becomes unhinged and murders Mathilda's entire family while she is out shopping for groceries. When Mathilda returns, she realizes what has happened just in time to continue down the hall to Léon's apartment, who hesitantly gives her shelter.
+ +Mathilda quickly discovers that Léon is a hitman. She begs him to take care of her and to teach her his skills, as she wants to avenge the murder of her four-year-old brother. At first, Léon is unsettled by her presence, and considers murdering her, but he eventually trains Mathilda and shows her how to use various weapons. In exchange, she runs his errands, cleans his apartment, and teaches him how to read. In time, the pair forms a close bond. Mathilda often tells Léon she loves him, but he refuses to reciprocate.
+ +When Léon heads out for an apparent assignment, Mathilda fills a bag with guns from Léon's collection and sets out to kill Stansfield. She bluffs her way into the DEA office by posing as a delivery girl, only to be ambushed by Stansfield in a bathroom; one of his men arrives and announces that Léon had just killed one of the corrupt DEA agents in Chinatown that morning. Léon, after discovering her plan in a note left for him, rescues Mathilda, killing two more of Stansfield's men in the process. An enraged Stansfield confronts Tony, who is violently interrogated for Léon's whereabouts.
+ +As Mathilda and Léon recover from the ordeal, Mathilda attempts to seduce Léon. Léon refuses, instead opening up about how he became a cleaner; when Léon was young in Italy, he was in love with a girl from a wealthy family. The two made plans to elope, but when the girl's father discovered their relationship, he killed her out of anger and escaped justice. Léon killed the man out of revenge and fled to New York, where he met Tony and trained to become a cleaner.
+ +Later, while Mathilda returns home from grocery shopping, a NYPD ESU team sent by Stansfield captures her and attempts to infiltrate Léon's apartment. Léon ambushes the ESU team and rescues Mathilda. Léon creates a quick escape for Mathilda by smashing a hole in an air shaft; he then reassures her, and tells her that he loves her, moments before the police blow up the apartment. In the chaos that follows, Léon sneaks out of the building disguised as a wounded ESU officer; he goes unnoticed save for Stansfield, who follows him and shoots him in the back. As he is dying, Léon places an object in Stansfield's hands that he says is "from Mathilda" before succumbing to his wounds; Stansfield discovers that it is a grenade pin. He then opens Léon's vest to find a cluster of active grenades which detonate, killing Stansfield.
+ +Mathilda goes to Tony, as Léon had told her to do in the event of his death. Tony tells Mathilda he had been instructed by Léon to give his money to her if anything happened to him; he offers to hold it and provide the money on an allowance basis. Mathilda returns to school and meets the headmistress, who readmits her after Mathilda reveals what had happened to her. She then walks onto a field near the school to plant Léon's houseplant, as she had told Léon that he should "give it roots".
++ Léon: The Professional, titled Leon in the UK (and originally titled The Professional in the US and Australia), is a 1994 English-language French thriller film written and directed by Luc Besson. It stars Jean Reno and Gary Oldman, and features the motion picture debut of Natalie Portman. In the film, Léon (Reno), a professional hitman, reluctantly takes in 12-year-old Mathilda (Portman), after her family is murdered by corrupt Drug Enforcement Administration agent Norman Stansfield (Oldman). Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the hitman's trade. +
+
+ Léon Montana (Jean Reno) is an Italian hitman (or "cleaner", as he refers to himself) living a solitary life in New York City's Little Italy. His work comes from a mafioso named Tony (Danny Aiello). Léon spends his idle time engaging in calisthenics, nurturing a houseplant, and watching old films.
+ +One day, Léon meets Mathilda Lando (Natalie Portman), a lonely 12-year-old girl. Mathilda lives with her dysfunctional family in an apartment down the hall, and has stopped attending class at her school for troubled girls. Mathilda's abusive father (Michael Badalucco) attracts the ire of corrupt DEA agents, who have been paying him to stash cocaine in his apartment. After they discover he has been cutting the cocaine to keep for himself, DEA agents storm the building, led by sharply dressed drug addict Norman Stansfield (Gary Oldman). During the raid, Stansfield quickly becomes unhinged and murders Mathilda's entire family while she is out shopping for groceries. When Mathilda returns, she realizes what has happened just in time to continue down the hall to Léon's apartment, who hesitantly gives her shelter.
+ +Mathilda quickly discovers that Léon is a hitman. She begs him to take care of her and to teach her his skills, as she wants to avenge the murder of her four-year-old brother. At first, Léon is unsettled by her presence, and considers murdering her, but he eventually trains Mathilda and shows her how to use various weapons. In exchange, she runs his errands, cleans his apartment, and teaches him how to read. In time, the pair forms a close bond. Mathilda often tells Léon she loves him, but he refuses to reciprocate.
+ +When Léon heads out for an apparent assignment, Mathilda fills a bag with guns from Léon's collection and sets out to kill Stansfield. She bluffs her way into the DEA office by posing as a delivery girl, only to be ambushed by Stansfield in a bathroom; one of his men arrives and announces that Léon had just killed one of the corrupt DEA agents in Chinatown that morning. Léon, after discovering her plan in a note left for him, rescues Mathilda, killing two more of Stansfield's men in the process. An enraged Stansfield confronts Tony, who is violently interrogated for Léon's whereabouts.
+ +As Mathilda and Léon recover from the ordeal, Mathilda attempts to seduce Léon. Léon refuses, instead opening up about how he became a cleaner; when Léon was young in Italy, he was in love with a girl from a wealthy family. The two made plans to elope, but when the girl's father discovered their relationship, he killed her out of anger and escaped justice. Léon killed the man out of revenge and fled to New York, where he met Tony and trained to become a cleaner.
+ +Later, while Mathilda returns home from grocery shopping, a NYPD ESU team sent by Stansfield captures her and attempts to infiltrate Léon's apartment. Léon ambushes the ESU team and rescues Mathilda. Léon creates a quick escape for Mathilda by smashing a hole in an air shaft; he then reassures her, and tells her that he loves her, moments before the police blow up the apartment. In the chaos that follows, Léon sneaks out of the building disguised as a wounded ESU officer; he goes unnoticed save for Stansfield, who follows him and shoots him in the back. As he is dying, Léon places an object in Stansfield's hands that he says is "from Mathilda" before succumbing to his wounds; Stansfield discovers that it is a grenade pin. He then opens Léon's vest to find a cluster of active grenades which detonate, killing Stansfield.
+ +Mathilda goes to Tony, as Léon had told her to do in the event of his death. Tony tells Mathilda he had been instructed by Léon to give his money to her if anything happened to him; he offers to hold it and provide the money on an allowance basis. Mathilda returns to school and meets the headmistress, who readmits her after Mathilda reveals what had happened to her. She then walks onto a field near the school to plant Léon's houseplant, as she had told Léon that he should "give it roots".
++ Léon: The Professional, titled Leon in the UK (and originally titled The Professional in the US and Australia), is a 1994 English-language French thriller film written and directed by Luc Besson. It stars Jean Reno and Gary Oldman, and features the motion picture debut of Natalie Portman. In the film, Léon (Reno), a professional hitman, reluctantly takes in 12-year-old Mathilda (Portman), after her family is murdered by corrupt Drug Enforcement Administration agent Norman Stansfield (Oldman). Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the hitman's trade. +
+
+ Léon Montana (Jean Reno) is an Italian hitman (or "cleaner", as he refers to himself) living a solitary life in New York City's Little Italy. His work comes from a mafioso named Tony (Danny Aiello). Léon spends his idle time engaging in calisthenics, nurturing a houseplant, and watching old films.
+ +One day, Léon meets Mathilda Lando (Natalie Portman), a lonely 12-year-old girl. Mathilda lives with her dysfunctional family in an apartment down the hall, and has stopped attending class at her school for troubled girls. Mathilda's abusive father (Michael Badalucco) attracts the ire of corrupt DEA agents, who have been paying him to stash cocaine in his apartment. After they discover he has been cutting the cocaine to keep for himself, DEA agents storm the building, led by sharply dressed drug addict Norman Stansfield (Gary Oldman). During the raid, Stansfield quickly becomes unhinged and murders Mathilda's entire family while she is out shopping for groceries. When Mathilda returns, she realizes what has happened just in time to continue down the hall to Léon's apartment, who hesitantly gives her shelter.
+ +Mathilda quickly discovers that Léon is a hitman. She begs him to take care of her and to teach her his skills, as she wants to avenge the murder of her four-year-old brother. At first, Léon is unsettled by her presence, and considers murdering her, but he eventually trains Mathilda and shows her how to use various weapons. In exchange, she runs his errands, cleans his apartment, and teaches him how to read. In time, the pair forms a close bond. Mathilda often tells Léon she loves him, but he refuses to reciprocate.
+ +When Léon heads out for an apparent assignment, Mathilda fills a bag with guns from Léon's collection and sets out to kill Stansfield. She bluffs her way into the DEA office by posing as a delivery girl, only to be ambushed by Stansfield in a bathroom; one of his men arrives and announces that Léon had just killed one of the corrupt DEA agents in Chinatown that morning. Léon, after discovering her plan in a note left for him, rescues Mathilda, killing two more of Stansfield's men in the process. An enraged Stansfield confronts Tony, who is violently interrogated for Léon's whereabouts.
+ +As Mathilda and Léon recover from the ordeal, Mathilda attempts to seduce Léon. Léon refuses, instead opening up about how he became a cleaner; when Léon was young in Italy, he was in love with a girl from a wealthy family. The two made plans to elope, but when the girl's father discovered their relationship, he killed her out of anger and escaped justice. Léon killed the man out of revenge and fled to New York, where he met Tony and trained to become a cleaner.
+ +Later, while Mathilda returns home from grocery shopping, a NYPD ESU team sent by Stansfield captures her and attempts to infiltrate Léon's apartment. Léon ambushes the ESU team and rescues Mathilda. Léon creates a quick escape for Mathilda by smashing a hole in an air shaft; he then reassures her, and tells her that he loves her, moments before the police blow up the apartment. In the chaos that follows, Léon sneaks out of the building disguised as a wounded ESU officer; he goes unnoticed save for Stansfield, who follows him and shoots him in the back. As he is dying, Léon places an object in Stansfield's hands that he says is "from Mathilda" before succumbing to his wounds; Stansfield discovers that it is a grenade pin. He then opens Léon's vest to find a cluster of active grenades which detonate, killing Stansfield.
+ +Mathilda goes to Tony, as Léon had told her to do in the event of his death. Tony tells Mathilda he had been instructed by Léon to give his money to her if anything happened to him; he offers to hold it and provide the money on an allowance basis. Mathilda returns to school and meets the headmistress, who readmits her after Mathilda reveals what had happened to her. She then walks onto a field near the school to plant Léon's houseplant, as she had told Léon that he should "give it roots".
+